目.录
【古代美学】
美字本义及其引申路径新考 …………………………………肖琦（ 3 ）论《周易》诚与孚蕴含的中和之美 …………谢金良李治磊（ 19 ）替代之厄：美学视野下宋明之间伪古玉的接受研究 ……………刘婷婷（ 33 ）顺应与赋新：舟船互文间的造物美学隐喻 ………………………熊承霞（ 50 ）论吴乔以意象为中心的诗学思想…………………………………陈娟（ 66 ）
【艺术美学】
书贵自然论自然与自由及势的关系…………………………………高喜锋（ 85 ）中华文学对自然审美之自然的多维观照 ……………………盖光（101）五代山水画与唐宋画学转型………………………………………周奕希（ 116）多点透视与以大观小：从年希尧的《视学》看中西绘画对于真实概念的理解………………………………………………………卫俊（142）造化在手，心运无穷松年画论中的艺象创构思想………………………………赵婧洁（ 156）形与意的融合邓以蛰的绘画境界论………………………………………时春霞（ 173）
【当代美学】
海外华人学者中国美学观范畴阐释的三个维度 ……………曾旭彤（ 193）中西互鉴视阈中的宗白华气韵生动说解绎 …………………王意（212）当代美学中的虚构主义……………………………………………陈常燊（ 229）诗意长江的大美精神………………………………………………周计武（ 242）
【西方美学】
想象、审美性质和趣味 《道德情操论》中的三个美学问题 ………………………朱俐俐（ 259）感情移入与东西诗学大西克礼美学思想管窥……………………………………彭英龙（ 274）图表与第三条道路：德勒兹艺术时间论的康德源头 ……林梓豪（ 292）生成中国：德勒兹的中国美学问题 ………………刘欣凌雪萍（ 313）知觉与表达：维维安·索布切克论电影身体和电影体验 ………王宁宁（ 331）重估灾难的价值：西方灾害思想述略 ……………………………杨兴玉（ 349）
【书评】
关于中国美学研究方法论的反思与探索读朱志荣《中国古代美学思想研究方法论》 ……………谭玉龙（ 367）审美中介论的建构 《艺术审美的心脑中介机制》述评 ………………………宋杰（377）
稿约............................（391）
CONTENTS
【Chinese Classical Aesthetics】
A New Examination of the Original Meaning and Extended Pathways of the Character mei (美 ) ……………………………Xiao Qi ( 3 ) The Aesthetic Ideal of Harmonious Balance in the Zhou Yi: A Study of the Concepts of Cheng and Fu ……………… Xie Jinliang Li Zhilei ( 19 )
The Crisis of Replacement: A Study on the Acceptance of Replicated Ancient Jade between the Song and Ming Dynasties from an Aesthetic Perspective ……………………………………… Liu Tingting ( 33 )
Adapting and Renewing: the Innovation Aesthetic Metaphors in the Intertextuality of Boats ……………………………… Xiong Chengxia ( 50 ) On Wu Qiaos Poetic Thought Centered on Imagery……………Chen Juan ( 66 )
【Artistic Aesthetics】
Calligraphy Value Nature: On the Relationship between Calligraphy and Nature, Freedom and Shi ……………………………… Gao Xifeng ( 85 )
Multi-dimensional Reflection on the Nature of Natural Aesthetics
in Chinese Literature ……………………………………… Gai Guang (101) Landscape Painting in the Five Dynasties and Painting Thoughts Transformation between Tang and Song Dynasties ………… Zhou Yixi (116)
Multi-Point Perspective and Seeing the Small from the Viewpoint of the Large: Examining Three Understandings of Reality in Chinese and Western Paintings through Nian Xiyaos Shixue ………………Wei Jun (142)
Creation in the Hands, Infinite in the Mind: the Artistic Imagery
Creation and Construction Ideas in Songnians Painting Theory ……………………………………………………………… Zhao Jingjie (156)
The Fusion of Form and Mind: Painting Realm Theory of Teng Yizhe ……………………………………………………………… Shi Chunxia (173)
【Contemporary Aesthetics】
Three Dimensions of Chinese Aesthetics Guan Explanation by Overseas Chinese Scholars ………………………… Zeng Xutong (193) A Study of Zong Baihuas Theory of Rhythm and Vitality
Through Sino-Western Mutual Learning …………………… Wang Yi (212) Fictionalism in Contemporary Esthetics ……………… Chen Changshen (229) Great Beauty and Poetic Spirit of the Yangtze River …………Zhou Jiwu (242)
【Western Aesthetics】
Imagination, Aesthetic Quality and Taste: Three Aesthetic Issues in The Theory of Moral Sentiments ……………………………Zhu Lili (259) Empathy Theory and Poetics between Eastern and Western: An Examination on Oonishi Yoshinoris Aesthetic Thought ……………… Peng Yinglong (274) Diagram and a Third Path: The Kant Origins of Deleuzes Time Theory of Art …………………………………………… Lin Zihao (292) Becoming-China: Deleuzes Chinese Aesthetic Problems ………………………………………………… Liu Xin Ling Xueping (313) Perception and Expression: Vivian Sobchack on the Film Body and Film Experience ……………………………………… Wang Ningning (331) Revaluing Disasters: A Brief Introduction to Western Thoughts of Disaster ……………………………………………… Yang Xingyu (349)
【Book Review】
The Rethinking and Exploration of Research Methodology of Chinese Aesthetics: A Book Review of A Study on Research Methodology of Ancient Chinese Aesthetics ………………………………… Tan Yulong (367) The Construction of Aesthetic Intermediary Theory: A Review of Intermediary Mechanism of Mind and Brain in Art Aesthetic …… Song Jie (377)
Notice to Contributors ……………………………………………………… (391)
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